Labour Day 2026: Celebrating Dr. Feelings, The Man who will « Fix it when you Think it »

As Cameroon observes the 140th International Labour Day under the theme, « Social dialogue and decent work, factors of peace, national cohesion, and economic development of the company, » NewsFlow shines a spotlight on the intricate world of music production. We explore this craft through the lens of Sentman Kaah, a man many know as « Dr. Feelings »—Cameroon’s undisputed sound genius.

Nyamka Sentman Kaah, a 33-year-old Cameroonian music producer with 14 years of experience – Author

From Cassettes to Computers

Sentman Kaah is not just a producer; he is a multi-hyphenate force of nature. A communications expert, MC, multi-instrumentalist, singer, and songwriter, he operates at the vibrant intersection of music, media and live performance.

For Sentman, the studio isn’t just a workplace. It is home. The son of a sound engineer, he was navigating the complexities of turntables, reels, and cassettes by the age of four. While other children were playing with toys, Sentman was learning the foundational physics of sound.

His formal journey began in 2009 during his university years, where he was mentored by industry stalwarts like the founder of African Rhythm Praise Entertainment, Mrs. Tilder Ndichia of blessed memory and Mr. Fusi Pascal. After further refining his craft at G3 Studios under Chichi Ladislav (Mr. Bliss), he launched New Music Lab. It is here that « Dr. Feelingz » administers his famous « musical prescriptions, » blending technical precision with raw creative depth across every imaginable genre.

Dr. Feelings works late into the night – Author

A Portfolio of Excellence

With about 15 years in the industry, Sentman’s repertoire is as diverse as the Cameroonian landscape:

Gospel Milestones: His most recent triumph is the album « Je t’appartiens Seigneur » by gospel artist OMOD’J, released just days ago on April 24, 2026. Other major works include the St. Michaels Choir album from 2017 and singles for artists like Junior Praise, Diva Queen, Mummy Babs and the Clarinets, Prince Ivri, Berkley, Bertsey Bright just to name a few.

Cinematic Sound: He produced the soundtrack for the film « Barber’s Chair. »

Voice of Authority: Beyond the beats, his baritone has carried audiobooks like « Power Must Change Hands » by Rev. Godson Nembo and spots for international giants like UNICEF and the Educash Initiative.

Dr. Feelings playing his favourite instrument – Author

The Reality of the Hustle: Earnings & Economics

Despite his success, Sentman is candid about the financial volatility of the creative sector in Cameroon.

« Monthly income can be difficult to track because projects span across months, » he explains. « On a general scale, it can range from 200,000 FCFA to 2 million FCFA, but the average often sits between 50,000 and 200,000 FCFA. »

He admits with a chuckle that there are months where survival is the only goal, necessitating a diversified income stream. It is a testament to the resilience of Cameroonian creatives who work in a system that is still finding its footing.

A working session at New Music Lab – Author

The Future of Sound in Cameroon

Music production in Cameroon is regulated indirectly by Copyright laws through musical Governing bodies like the Cameroonian National Society of Musical Art (SONACAM).

Currently, the industry faces « semantic mishaps » regarding professional associations. Sentman and his peers have formed a hub to unite the entire production chain—from Producers, Music Producers, Sound Engineers, Mix and mastering Engineers, Beatmakers to Live engineers. They are seeking better recognition from the Ministry of Arts and Culture.

Music production in Cameroon is currently a frontier of both risk and reward. Sentman points to several critical areas for growth:

The AI Wave: The rise of home studios and AI technology offers affordable tools but requires regulation to maintain quality.

The Mentorship Gap: Young talents are entering the field earlier than ever, but often without the guidance needed to sustain a career.

The Policy Frontier: There is an urgent need for better royalty tracking, legal protection against piracy, and structured licensing for studios.

Dr. Feelings controlling sound at OMOD’J’s album launch – Author

The Vision: Cameroon as a Regional Hub

Sentman remains a staunch optimist. He believes Cameroon is uniquely positioned to become Africa’s production powerhouse due to its « Africa in Miniature » status.

« We are the only country in the world that has a quicker body and mind trigger response to any genre globally, » he asserts.

To unlock this potential, he calls for producers to invest in high-quality gear and original sounds, while urging the government to improve industry systems governing copyright and monetization.

Dr. Feelings playing the piano at his concert (The Rebirth, 2024) – Author

As we celebrate « decent work, » this 1st May 2026, Dr. Feelingz reminds us that music production is more than just entertainment. It is a vital economic engine and a pillar of national identity. Through his work at New Music Lab, the heartbeat of Cameroonian music continues to find its rhythm.

By Ndifon Anna Ting